PRODUCTION

  • Limited and monthly editions are printed by the photographer (DSF) — using premium papers selected precisely to complement the content.

  • All papers from Hahnemühle, Canson Infinity, and others are the heaviest weight, the thickest GSM available: to maximize that optimality.

  • Prints are produced with pigment inks, which maintain vivacity for generations with proper care (see Paper Longevity below, as well).

  • Limited editions are signed and numbered either in pencil or archival pen. Monthly editions are signed as well, with the respective month/year signed lightly on the back.

  • High-resolution files are sourced for printing, whereas low-resolution files are displayed throughout this website.

  • Please note that while a watermark is applied to each digital image site-wide, no such watermark appears in any original print.

ACQUISITION

  • Supplied with every fine-art print is a signed Certificate of Authenticity — validating that the associated work is wholly original and therefore remains, in perpetuity, unrepeatable outside its limited or monthly edition. Each photograph will never again exist in original form.

  • Collectors who wish to acquire a print of an unreleased photograph, please inquire. Explicit requests may influence the chronology of upcoming editions. Should a collector wish to acquire an unreleased print with exclusivity, such may be considered. Serious inquiries only.

  • For licensing, please contact.

  • Please note that all purchases are final at the point of sale; and copyright terms and conditions, along with all T/Cs listed here, apply.

LIMITED & MONTHLY EDITIONS

  • A number of artist-proofs (A/P) may be printed per edition: the specific number of which shall be set at less than or equal to 10% the assigned allotment thereof. Additionally, a single large A/P may be produced: which itself shall qualify as one of the restricted number of A/P prints. [For editions that comprise fewer than 10 prints, 1 A/P shall be created: the only exception to the aforementioned percentage.]

  • Monthly editions remain open (i.e., unlimited) only during the respective month: after which the specific print becomes definitively limited — with the final edition-size established by the amount acquired in that month. Similar to limited editions, photographs in monthly editions will never again print in original form.

  • The price per print may rise as an edition nears its completion.

  • Further details and specs can be found within each listing.

SHIPPING

  • All prints are packed flat in an archival, acid-free slip and supported by durable materials to ensure safe passage. Presentation is kept to an elegant minimum in order to reduce future waste. [Should an issue arise from shipment, please contact immediately.]

  • Please note that for sales within the United States, tax is collected for New York destinations only. With respect to international sales, any import duties and/or taxes shall be the sole responsibility of the collector (purchaser).

PAPER LONGEVITY

Canson Infinity
“Canson Infinity … exceeds the ISO 9706 museum-grade standard that has been developed to meet gallery and museum longevity requirements. Canson has submitted to the world's leading independent print-permanence testing laboratory, Wilhelm Imaging Research (WIR), for longevity testing … [and our paper] will last for generations.” | Made in France

Fotospeed
“Meets ISO 9706.” | Made in EU

Hahnemühle
“Our special inkjet print coatings have been developed over a number of years and are subject to continuous testing. The product range includes a large selection of textures, surfaces, and colours with an array of sheet and roll sizes that appeal due to their unique feel, a superb surface structure, and an outstanding colour gamut. All Hahnemühle papers are extremely resistant to ageing in compliance with DIN 6738 and offer the highest life-expectancy of several hundred years.” | Made in Germany

Moab
“For a paper to be considered archival, it must be acid-free and neutral pH. Some papers (generally cotton) are buffered, and all alpha-cellulose papers are lignin-free. All our papers conform to this archival standard. … [I]nkjet prints are expected to outlast traditional (wet) process color prints, and are much more tolerant of environmental variations than Cibachrome prints, which used to be the gold standard.” | Sourced Internationally

Red River
“Red River Paper does all print-life testing with the Rochester Institute of Technology. … True conservation-grade media: no optical brighteners, acid-free, lignin-free, … [and] FOGRA Certified ISO 9706 … ” | Sourced Internationally, Made in USA